And they don't only have to be solos. Couples fuck in front of cameras... and the set up suggests that they are alone. Normal filmmaking presupposed the presense of the filmmaker, although they are invisible their effect is to signify our own gaze. An objective webcam camera aesthetic both foregrounds and sublimates that gaze, automatizes and challenges its primary power position.
Although the couple are doing it to each other, they are also, and by preplanning a documentation, really doing it for the document. For us.
http://www.xvideos.com/video256528/amateur_with_hot_body_riding_dick
The presense of the filmmaker is a given, an invisible signifier of our gaze. Here, our awareness through the image-making mise-en-scene - the handheld camera more than anything else - establishes that the gaze - our gaze - is dependant upon a participant, not just an unseeing camera.
Below, similar embedded visual cues are present, but also the appearance of a pony-tailed white guy at the beginning (while the camera is still (on a tripod?) before the black guy enters) establishes that the gaze is mediated and is passing through a previous interrogation. Indeed, the new narrative is as much who's filming this act as the act itself (inflected as it is with a clandestine aura of a hotel room, during the day, interracial and possibly mis-matched ages), impacting it with a strong filter and meaning that renders the spectacle forbidden.
This is intentional and material, not otherwise embedded in a straight un-manned video. The immediacy and spontaneity remains and is emphasized, a witness capturing not only something that is normally hidden, but hidden from an observer with a camera, which makes it timeless, repeatable, broadcastable, public and evidence.
http://www.xvideos.com/video286408/skinny_wife_fucks_black_as_husband_films_
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